* M0: remove upstream trademark artwork from contributor fork
Use the existing document icon and a plain project label. Remove trademark
asset entries and regenerate attribution as required for modified forks.
Co-authored-by: OpenAI Codex <codex@openai.com>
* M7: group compatible PDF words and hide source text during editing
Join compatible words across text objects and subset-font spaces, recognize
component colours, and reuse subset fonts with numeric space positioning.
Render a read-only background with the selected glyphs removed while the
inline editor is open. Keep one frame and source line breaks, and reset
the layout width when switching paragraphs. Expose the same preview through page_render.
Add synthetic extraction, save/reopen, preview and UI regressions. Record
the remaining mixed-style paragraph and installed-font limitations.
Co-authored-by: OpenAI Codex <codex@openai.com>
* M7: preserve rich PDF regions and preview text edits in place
Group mixed source runs into complete visual regions, retain run styles and source encodings, and use validated embedded source faces in the inline editor. Preserve source baselines and show a single live frame as text grows or shrinks, backed by a read-only draft geometry tool.
Validation: strict workspace Clippy, workspace tests, all 30 WASM crates, asset and parity gates, licensed synthetic edit/save/reopen and desktop checks, and an opt-in four-page private-document regression.
Co-authored-by: OpenAI Codex <codex@openai.com>
* M7: keep cropped artwork from blocking text editing
Track page/path clipping separately from full image placement, use visible selection bounds, and prioritize text hit testing over overlapping artwork. Preserve fixed clips during image transformations and expose visible bounds through the headless tools.
Validation: strict workspace Clippy, workspace tests, 30 WASM crates, asset/parity gates, synthetic engine/tool/UI and native desktop checks, both private-document UI regressions, and all-page local edit/save/reopen/undo on a four-page cropped-artwork PDF.
Co-authored-by: OpenAI Codex <codex@openai.com>
* M7: resize cropped images with their clipping paths
Keep the visible frame and image pixels under the same transform. Preserve the
opposite corner and respond to diagonal, horizontal-only and vertical-only
corner drags without jumping from an off-centre grip. Refuse shared clipping
scopes that would move unrelated content.
Add synthetic engine/tool/UI regressions and opt-in private-file coverage
for 80 corner gestures and 10 grow/shrink save/reopen/undo render checks.
Co-authored-by: OpenAI Codex <codex@openai.com>
* M7: complete source font subsets and preserve clipped editing
Add explicit document fonts, CFF embedding, range formatting and bounded contextual shaping; isolate shared image clips and verify private Chinese edits on all pages.
Co-authored-by: OpenAI Codex <codex@openai.com>
* Revert "M0: remove upstream trademark artwork from contributor fork"
This reverts commit 3aa539b5b6.
* Test: give the text layer up to 4 s before copying (it flaked on a loaded machine)
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Co-authored-by: Kamoliddin Fatkhullaev <komoliddinfatxullayev@MacBook-Pro-Komoliddin.local>
Co-authored-by: OpenAI Codex <codex@openai.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* Hebrew fix
* Tests: the faux-redaction audit gets its own work folder (it shared "audit" with the space audit, so the two raced)
* Arabic golden test: compare bytes only in a build without an Arabic face (CI's Linux job builds with craft-fonts)
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Co-authored-by: Brandon Thomas <echelon@gmail.com>
* M5: flatten Fill & Sign marks when saving
Saving can now bake typed text, marks and signatures into the page, from Preferences or doc_save. The option defaults off, so a normal save still leaves them editable, and other comments and form fields stay.
* M4: zoom the Organize page grid
The page grid draws its pages at 50% to 300%: toolbar buttons with a
percentage that resets to 100%, trackpad pinch or Ctrl/⌘ + wheel about
the page under the pointer, and ⌘+ / ⌘− / ⌘0 (which no longer change the
hidden page view's zoom while the grid shows).
Thumbnails are re-rendered sharper in a few steps as the grid grows,
capped so one document's thumbnails stay within 256 MB. The page under
the pointer (or the first one in view) stays where it is across a zoom.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* M4: zoomed grid pages are rendered at the size drawn
A zoomed page grid stretched 132 pt thumbnails, and the stepped detail
that was meant to help was capped by a memory budget, so a long document
stayed blurry at any zoom.
Pages drawn larger than their thumbnails now get a render at exactly the
size drawn while they are in view; the thumbnail stands in until it
arrives. Only pages in view keep one, so memory no longer depends on the
page count, and thumbnails go back to their one fixed size.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* View: the middle button pans instead of drawing with markup tools
egui's drag responses accept every pointer button, so on Windows and macOS a
middle-button drag reached the page tools: with Draw (ink) selected it drew a
stroke, and other tools cropped, selected or moved. Linux was unaffected
because its middle-click auto-scroll already blocks page input.
Outside Linux a middle-button drag that starts in the viewport (document or
Organize Pages) now pans 1:1 while the button is held, with a Grabbing
cursor, and page input is blocked from the press through the release. Linux
keeps its latched auto-scroll.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* M3: a short page gone to from the Pages panel stays current
The current page was whichever page showed most of itself. Going to a short
page (a cheque) above a tall one scrolls it to the top, where the tall page
below shows more, so the current page and the Pages panel's highlight moved
to the tall page instead of the one clicked. The page navigated to now stays
current while it is wholly on screen.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* M4: page operations from the Pages panel: context menu and drag to reorder
Right-clicking a thumbnail offers Extract pages, Cut, Copy and Paste after, on
the selection or on the page clicked (which becomes the selection), as the
organize grid does. Dragging thumbnails moves the selection, or the page
grabbed, to the gap it is dropped on: a bar marks the gap, the page count
follows the pointer, and the panel scrolls near its edges. The move is one
undoable step; the moved pages stay selected and the current page follows
its page. Documents that forbid assembly keep click-only thumbnails.
Parity: view.thumbnail-context-ops is shipped, with what it still lacks.
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
* Pages panel: only the primary button drags thumbnails; a drag left over after the panel closed or the document changed is dropped
* M5: translate Fill & Sign flatten labels into Ukrainian
The coverage test failed because the new preference strings had no Ukrainian entries.
* Fix main CI: move the rotated-field render test out of pdfcraft-forms (#591)
#516 added pdfcraft-render as a dev-dependency of pdfcraft-forms for one
rendering test. Both crates are layer 3, so `cargo xtask layers` (run in
CI) rejects the sideways edge and main went red. The test now lives in
crates/engine/tests/form_rotation.rs, where both crates are already
dependencies, and forms drops the dev-dependency. The parity evidence
points at the new location.
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
* uk: the author's wording for the flatten setting
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Co-authored-by: samehelhawary <basio20044@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Cody Vogt <Cody.Vogt@caltechsurveys.com>
Co-authored-by: William Max & Co. <info@williammax.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
Add text wrote Arabic as "?" (standard-14 fonts, WinAnsi). Items with
Arabic are now shaped with the craft-fonts Arab face through harfrust
(already in the tree via egui) and laid out line by line in display
order with unicode-bidi (UAX #9), so Arabic mixed with Latin, digits and
brackets reads correctly. Each cluster (a letter with its dots or marks)
is one glyph of a Type 3 font drawn from the face's outlines, with a
ToUnicode entry, so text extraction, copy and search get every letter
once and no font file is embedded.
- fonts: shape_arabic / arabic_glyph / arabic_has / document_arabic_font;
japanese_glyph's bounded outline code is shared as bounded_outline.
- edit: draw_arabic and type3_arabic; wrapping measures shaped words.
Fonts get names free on the page (a full save renumbers objects, not
resource names) and are removed when the item is updated or deleted.
Outlines are read before anything is written.
- Without the face, adding Arabic is a clear error that changes nothing;
an existing item holding Arabic still moves, drawn as "?" as before.
- Non-Arabic items are drawn exactly as before.
Refs #250, #280, #369.
Co-authored-by: fares <aw674860@gmail.com>
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
Co-authored-by: Brandon Thomas <echelon@gmail.com>
The app, crates, binaries, bundle id, packaging, icons, screenshots and docs are now
PdfCraft / pdfcraft (repo storytold/pdfcraft). On first launch the desktop app moves the
PrintCraft settings and crash-recovery folders to the new name, and both apps read settings
saved under the old storage key, so upgrades keep recent files, preferences and unsaved work.
The signing test fixtures keep their PrintCraft subject names (they are binary).
Co-authored-by: Claude Opus 5.5 <noreply@anthropic.com>
komo1iddin